“Our inheritance was left to us by no testament” – René Char
Category: Mediterranean Margins
“At my first sight of the Mediterranean world I realized that I had never known light before. I was from the world of darkness. London was not so bad, but the light of the northwest is a very dull light. The light of the Mediterranean held my eyes so I decided to stay for a time.” – Albert Hourani (1915-1993)
All my content related to the glorious Mediterranean Sea.
“Mediterranean Without Borders” Sabine Réthoré, 2011 (Arabic).
The “Mediterranean Without Borders” map was produced, in the political euphoria of 2011, by Paris-based artist Sabine Réthoré. Its profound simple 90-degree rotation not only underwrites an artistic streak, but can also largely impact one’s perspective. The end result is that the question is no longer about north-south as much as it is about parity and closeness. In the context of Mediterranean geopolitics, refugees crossing and drowning, fortress Europe, colonial history, skewed markets, condescending north to south (top to bottom) attitudes, post-colonial stagnation and so forth, means the simple rotation of the map is a big political statement with humanizing tendencies that make transnational ties look more intimate. That is an artistic statement in itself. This does not mean it will work for all maps, but it does so with the Mediterranean basin given the weight of its contemporary politics and long rich history.
“Mediterranean Without Borders” Sabine Réthoré, 2011 (French).
The map was shown at an event in Brussels in November 2019, where I was invited to speak to EU and MENA youth, the opening was made by Marseille-based writer Mary Fitzgerald who presented this curious map of the Mediterranean rotated 90 degrees to the right. Fitzgerald provoked a lively discussion and the audience related more to the alternative map than its standard appearance. When I shared the image with others, it elicited various responses from it looking like a fantasy map to the humorous old woman trying to avoid stepping into the mud. Intimacy was a key response to the map. When I posted it to Twitter, geographer Joshua S. Campbell responded “Amazing how rotating a map changes your perspective. Maps tend to ossify spatial relationships in your mind…tweak the map, break the pattern. Also why spatial thinkers are useful, they possess the ability to rotate spatial relationships in their mind.”
What Réthoré’s artwork also does is furnish a metaphysical canopy to Gianluca Solera’s idea of transnational Mediterranean citizenship and breathes life into the dying political imagination. Solera argues
“the Mediterranean could become again a cradle of a new Renaissance if conditions were put in place for a project of transnational citizenship. A shared political initiative, putting together the various experiences of resistance, protest and popular alternatives, and building a Mediterranean platform for a new social contract, so urgent in times of profound crisis both in Europe and in the Mediterranean” (Solera, 2017).
Indeed, it may appear that we are a long way from this, but the grim reality of securitization, refugee crisis, and a pandemic overturning the world as we know it, can eclipse the years that saw thousands of initiatives taking place, stories, theorizing, training, in what Solera has deemed a Mediterranean “Shadow government.” Moreover, the region is moving towards a thinking in which the social contract will require rewriting as it faces the pressures of epidemiological threats, climate change, alarm at the dominance of big tech, to the receding of the long-haul flight in favor of local and regional travel, a travel bubble in some cases.
This is crucial if civil society, social movements, and transnational Mediterranean responsibility is to take on meaningful qualities towards how the digital order and terrestrial order are to be negotiated. Italian sociologist Franco Cassano noted:
“Unbridled technology does not signify the abandonment of earthy grittiness, but its perfecting it through the will to power. Mediterranean man, instead, lives always between land and sea; he restrains one through the other; and, in his technological delay, in his vices, there is also a moderation that others have lost. The unbridled development of technology is not tied to the crossing of land and sea, but to the oceanic lack of moderation, the chasing of the sunset by the sun, the absolutization of the West.” (Cassano, 2011).
In other words, the Mediterranean world is a philosophical gateway to deconstruct fundamentalisms as it has the “capacity to transform our limitations in a common benefit, a tragic memory in the fight against all forms of fundamentalism” (Cassano, 2011). Be it techno-fundamentalism or else.
The above is a short modified extract from my paper, “Re-envisioning Civil Society and Social Movements in the Mediterranean in an Era of Techno-Fundamentalism,” published in the European Institute of the Mediterranean (Barcelona). The journal article is open access.
My book review of Will Hanley’s work “Identifying with Nationality: Europeans, Ottomans, and Egyptians in Alexandria” has been published in the Mashriq & Mahjar journal (Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University). The PDF article is open access.
WILL HANLEY, Identifying with Nationality: Europeans, Ottomans, and Egyptians in Alexandria (New York: Columbia University Press, 2017). Pp. XIV+391. $65.00 cloth, $64.99 e-book.
REVIEWED BY AMRO ALI, American University in Cairo
“Who are you?” is an all too familiar question
in everyday life, one that is neither bound by time nor place, but can carry
extraordinary consequences for the person being asked, and for history itself. It
is a question that is central to Will Hanley’s outstanding book, Identifying
with Nationality: Europeans, Ottomans, and Egyptians in Alexandria, which
illuminates Alexandria as a key sociolegal laboratory in the making of our
modern world, covering the decades between the early 1880s and the outbreak of
World War I in 1914. In this short pivotal span of history, Hanley telescopes
into an enriching fusion of people from different countries who crossed each
other’s paths on the streets, sidewalks, trams, trains, cafés, restaurants, and
theatres. For many, the idea of personal identity revolved around timeless
identifiers such as birthplace, religion, and marital status. They also had a
nationality label but this, particularly until the 1880s, was usually a dormant,
if not meaningless, category. That is, nationality suddenly meant everything
when it became both a formal and informal requirement by the authorities or
offered social and legal advantages.[1]
That realization would bring people, and hence cement their cases on paper, to
the police stations, consulates, and courts of Alexandria. The “wrong”
nationality, like a Cypriot, could be a burden on the individual, while a privileged
nationality, such as French or British, could mean protection from prison and
access to wealth.[2]
Egyptians, for whom the idea of nationality was yet to gain any social and
legal coherence, were disgruntled at the nationality scourge that not only
disadvantaged them compared to other nationalities, but the questionable court
sentences and dubious acquittals also served to prove that the “outward garment
of nationality concealed the domestication of the rule of difference.”[3]
Hanley’s book is divided into
three parts, containing twelve chapters, an introduction, and an epilogue. In section
one, “Settings,” Hanley illustrates the organizing concept of “vulgar
cosmopolitanism” in chapter one. This concept drives the book’s key theme that shifts
our familiar notion of Alexandria from a romanticized understanding and
elite-centered cosmopolitanism to the mundane everyday life of Alexandria. The
latter is where the matrix of passing, ignoring, jostling, and arguing occurs
with habitual frequency until it crosses into legal territory, such as breaking
the law, often lubricated by liquor and fomented by misunderstanding. Chapter
two fleshes out keywords: national, citizen, resident, foreigner, and subject.
The chapter aims to map out the book’s conceptual topology and the placement of
individuals and their identities in the making of the emerging world at the
turn of the twentieth-century.
In the second section,
“Means,” Hanley scrutinizes the mediums of identification in the daily lives of
society through the chapters of —“Papers,” “Census,” “Money,” and “Marriage” — which
taught the population to identify with new labeling practices and familiarize
themselves with a new vocabulary. The chapter “Papers” explores how passports
and identification documents became the portable and impersonal means for the
authorities to manage the mobility of individuals. While the chapter “Census”
looks at the product of the state’s appetite to amplify its state-building project,
negotiate disputes with diplomatic authorities over nationalities, and
centralize the certification of identity. [4]
The chapter on money fleshes out how currency became symbols for the emerging
political and economic order and, hence, it required that tokens be honored. In
light of this, counterfeiting was seen as an egregious crime, as it challenged
the official order and the state’s power to circulate and monopolize symbols of
value. The standardization of currency and material advantages sharpened the
ability for nationalities to gain access to benefits and favorable rulings from
judicial institutions that were predisposed towards wealthy national
communities. [5]
Finally, the last chapter of the section, “Marriage,” was a site of
administrative anxiety given that nationality was largely a gendered practice
by how easy it was for women to switch to their husband’s nationality or retain
their father’s nationality through marriage, remarriage, separation, or divorce.
But their transition depended upon the usefulness of the nationality in
question, thus making marriage the “driving wheel of nationality litigation and
legislation.” [6]
Hanley’s third section,
“Other Nationalities,” spans six chapters: “Europeans,” “Foreigners,”
“Protégés,” “Bad subjects,” “Ottomans,” and “Locals,” which takes up the larger
essence of the book, as it seeks to map out the triumph of the nationality
category, even with its precarities, over other markers of identification. Yet,
Hanley takes us into a more complicated field beyond “powerful” Europeans and
“weak” natives, as colonial privilege could not be easily deployed as
distinctions were rarely obvious. For example, outside the small circles of
European notables whom clearly had brazen privilege, poorer Europeans found
themselves constrained by class, race, or gender.[7]
Similarly, non-European foreigners like Tunisians and Maltese, who were
imperial subjects, could exercise benefits in Egypt that were not possible back
in their home country.
The case against Alexandrian cosmopolitanism that privileges elites and pioneers is certainly not new and has been fashionable in academic circles for many years. The author, however, gives the subject matter justice as he makes a strong case for shifting from the elites and small literary circles that intended to leave a legacy of written accounts, to the ordinary Alexandrians who did not. Thus, the book’s outcome is a one-by-one pointillist tapestry that draws you into a different Alexandria. Hanley argues against the proponents of triumphalist histories, writing, “We are not obliged to grant the nation the epic imaginary proportions,” and in making the case for the everyday ordinary, ironically, gives his work a distinguished epic of its own.[8] All accounts ended up in court and consulate documents, much like the recorded banal exchange between two Maltese friends, reading, “Today is Saturday, let us go and have a walk,” and ends with one friend fatally stabbing the other. [9] The dizzying number of accounts reads like miniature dramas with an endless cast of actors straddling the turn of the century, dazzling the city, and animating the era in fascinating ways. Taking the stage is the Cypriot realizing his Ottoman-ruled origins offered no protection from torture in a police station; the Egyptian woman who fell in love with an Italian man causing a scandal; the British consular official rushing to stop a marriage between a British Christian woman and an Egyptian Muslim man; an Irishman pretending to be an irrigation inspector to get a tasty meal and “borrow” ten francs from a priest; a French winemaker surprised that he would be imprisoned after he overestimated his foreign privilege by beating up an Egyptian tram conductor; And, eyewitness testimonies by Austrian barmaids pronouncing Islamic oaths. What Hanley’s book does is it upends what may have been thought to be established and predictable about nationality.
The label of nationality—the ever-recurring
term that leads you through the book’s thematic kaleidoscope—creeps its way
into the realm of individual identity, which was traditionally reserved for
one’s name, occupation, place of origin, sect, and physical description. These
attributes had to compete with “colonialism’s will to categorize populations
and its pervasive expressions of power through small mechanisms and technologies
and its modernity,” all of which were recognizable through nationality (though
not the same as citizenship, which is a concept that would later become a key
aim in decolonization movements).[10]
This can be seen in Alexandria’s Maghribis up until the early 1880s, who were
considered by local Egyptians as different, but not foreign. This invention of
a nationality category, however, not only now made them foreign, but their
status from a French colony also gave them further layers of protection (still short
of the full legal protections that French nationals received) that unnerved
locals, especially when nationality departed from the ordinary practice of the
social into an exercise of its legality.
Identifying with Nationality is part of a trend that slowly crystallized in the mid-2000s and accelerated following the 2011 Egyptian revolution, which saw scholarship on Alexandria breaking the historical imperial-nationalist dichotomy that left little room for nuances. This shift took place amid a form of culture war between generations of Alexandrians, political positioning, and struggles to reconcile with the contradicting elements of the past. Perhaps beyond the book’s scope, it would have been worthwhile to give a brief analysis on modern Alexandria in the epilogue given the city was the ground zero and laboratory for the invented nationality category. Particularly because Hanley notes: “Alexandria was thus a bellwether for nationality changes that would spread worldwide in the twentieth century.” [11] As a resident of Alexandria myself, I wonder if modern Alexandria is a bellwether or troubling parable for the dysfunctions of nationality, as one sees the book’s longue durée projected into the present day as residents dwell on the debris left by nationality, nationalism, and an enduring colonial logic, which still scars Alexandria.
Hanley offers readers poignant
lessons for our times, particularly given the triumph of nationality after
World War I, which canonized smaller subsets of nationalities that we grapple
with today, such as the “stateless, refugee, colonial subject, foreigner, and
minority.”[12]
Egypt’s Muslim-Christian relations, for example, were not without strain before
the nationality category, but they were at least resolvable at the local level
because differences were clearly known, understood, and mediated through a
familiar pattern to the respective population center. Nationality, ironically, exacerbated
religious tensions as it papered over differences and paved the way for state
intrusion into local community matters. Even “Egyptian” did not hold much
meaning for many Egyptians prior to the 1880s. The category only became
important for bureaucratic reasons, not for membership of the watan (nation)
or for paying homage to some pharaonic ancestry.[13]
Rather, it was Egyptian elites who adopted the mantle of nationalism in order
to wield “the resources of the state in their own interest” and saw to it that
“nationalism expanded along the stolid avenue of self-interest.”[14]
For the rest of the non-elite Egyptians, it would take decades to adopt the
nationality label in any legal and nationalist sense. This reluctance can be
explained, as Hanley puts it, because “the benefits of local status were often
more obscure than its costs,” especially in terms of the burden of taxes and
ruthless conscription, from which foreign nationals were free from.[15]
In traversing over four
thousand cases, with over ten thousand individuals, and drawn from archives in
five different languages from six different countries, Hanley delivers a superb
piece of work in historical research, rethinking social history, and reevaluating
national taxonomies, rather than assuming them. This book makes a significant and
original contribution to the fields of transnationalism, citizenship,
cosmopolitanism, comparative colonial studies, international law, Egyptian
history, Alexandria’s urban history, and Mediterranean migration. It would
appeal to both graduate students and scholars, but also to the informed public
interested in these topics, as Identifying with Nationality, to its
credit, does not intimidate the reader unfamiliar with legal jargon. The author
has been merciful in making legal terms clearly legible, as well as subsuming
them into captivating miniature narratives and vignettes that animate the
sociolegal story of a bygone Alexandria. Therefore, it is not only a book that comprehensively
adds to scholarship, but is ripe with countless gems to inspire future plays,
poems, and stories.
NOTES
[1] Will Hanley, Identifying with Nationality: Europeans, Ottomans, and Egyptians in Alexandria (New York: Columbia University Press, 2017), 2.