Modern life seems to have consigned the notion of wisdom to oblivion, and in its place, knowledge has become more about information. Storytelling allows for authentic communication between individuals, and to integrate or exchange personal experiences. Yet the story, the epitome of wisdom, has diminished as experience becomes increasingly fragmented, events are torn from their underlying context, and the individual becomes distant from the physical world of lived experience fuelled by social media and smartphones.
Through oral and writing strategies, the three-day workshop will develop the individual’s capacity to formulate a story by understanding the problem of separate experiences (Erlebnis) that are accumulated, but often lack the profound kind of experience (Erfahrung) in which we are transformed by what we encounter.
The workshop will seek to move beyond the individual’s self-conscious and reaction, and understand the ability to integrate experience that develops across society, history and time. As well as how we need to incorporate a moral, maxim, proverb or practical advice away from the current information models and into the authentic realm of storytelling. This endeavour echoes Walter Benjamin’s line of thinking that sees stories as open-ended that can provoke reflection and inspire recollection. The essential aim being that stories can contribute to human happiness by restoring possibilities that were apparently closed.
If you are interested then please follow the instructions to apply (deadline: 8 May 2018), which will then be followed by an interview at the offices of Tahrir Lounge Goethe. The workshop will be conducted primarily in Arabic.
I will be conducting a three-day workshop titled “Salvaging Walter Benjamin’s loss of aura and reconstructing the realm of the beautiful” on 30 April and 1, 2 May 2018, at Tahrir Lounge Goethe, Cairo. If you are interested then please follow the instructions to apply (and to read more details of the workshop), which will then be followed by an interview at the TLG office. The workshop will be conducted primarily in Arabic.
Understanding Alexandria as a second city can shed light on how historical imaginaries influence present-day experiences, as well as the cultural practices and social norms that arise; as the very notion of “second,” and the inevitable comparisons with other cities that it spurs, can drive decisions and shape a peculiar approach to one’s city.
Time: 7pm
Date: Sunday 22 April 2018
Venue: Institut français d’Egypte à Alexandrie
In the wake of last year’s successful projects, Tahrir Lounge Goethe (TLG) continues the Theater of Thought series. In 2018, it returns to take on the widespread problem of mediocrity by engaging with sociology, literature and philosophical concepts and various intellectual topics in an informal conversational manner that audience members will find approachable, fascinating and interactive.
The array of familiar toxic social problems did not simply enter the world by announcing themselves with drums, fire and brimstone. Rather, they crept up as “common sense” or it becomes repetitive until, eventually, they appeared as “tradition” or a “way of life.” Many will even defend the questionable status quo as part of one’s duty. The rise of mediocrity and fragmentation of meaning has become an intimate part of everyday life.
With this as a backdrop, the Tahrir Lounge Goethe launches the second season of the Theatre of Thoughts titled “Animating Spaces of Meaning” with the sociologist Dr. Amro Ali. Dr Ali will engage with the concept of utopianism, a term that has, understandably, been disparaged in the twentieth century in light of the totalitarian nightmares. But this route adopted utopia to looks backwards towards an imaginary past, a prelapsarian paradise, in which life was different, better, innocent, harmonious, and one of plenitude and sensual gratification. A vague future is staked in a reductionist past.
While this might be a utopia from the perspective of its proponents, it often turns out to be a dystopia in reality. The second utopia that the seminars will explore is not the utopia that looks to the restoration of a lost past, but imagines utopia as the intentional product of rational action and human agency through which the good society might be realised in the future.
A sociological-philosophical approach will guide the three seminars, each in Alexandria (4 April), Cairo (10-11 April) and Minya (26 April), that will discuss the pitfalls of modernity and the utopian lines of thinking that can shed light on how to understand the modern problem of mediocrity: dehumanising individualism, loneliness, and, in effect, the fragmentation of meaningful spaces and narratives.
The month of May will see three-day workshops, each in Cairo and Alexandria, and will telescope into story-telling as a utopian form of agency. A process that centres on social transformation for a better society would be sought out but it would be conditioned on not postponing that end towards the future, rather, it would be keeping that end everyday throughout the process. So the problem is not the transition but what that transition involves. It would not be a transition that involves deferring our ends; rather, it’s instigating utopia everyday to the best of one’s human capacity. To do this, the workshops will focus on creative expressions and engaging with German philosopher Walter Benjamin’s concept on the loss of aura.
Given the limited spaces, participation in the workshops will be given to those who attended one of the seminars. This will be followed by a publication of the workshop outcomes in Arabic and English. The Theatre of Thought welcomes artists, bloggers, filmmakers, writers, directors of developmental and cultural projects and members of the public who are interested in incorporating sociological and philosophical questions into their activities.
مسرح الفكر
الموسم الثاني “صعود المعاني”
يستكمل مشروع التحرير لاونج جوته سلسلة حلقات مسرح الفكر بعد النجاح الذي حققه العام الماضي، وفي 2018 يعود من جديد بشكل مختلف وبمفاهيم فلسفية وأبعاد فكرية جديدة تطرح موضوعات وقضايا أكثر عمقًا ولكن بشكل مبسط معتمدًا على التفاعل مع الجمهور، فهو مسرح للأفكار الفلسفية بطله الأساسي المفاهيم المتعلقة بالوجود والمعرفة والعقل والمنطق والبحث عن الأدلة والقيم والأخلاق واللغة وغيرها من الموضوعات التي تفتح آفاقًا جديدة للخيال والابتكار والإبداع والتفكير النقدي.
لم تكن مجموعة المشاكل الاجتماعية السامة المألوفة تدخل العالم بإطلاق النيران أو عزفها على الطبول، ولكنها تسللت إلى عالمنا على أنها “شعور عام” وتكررت أحداثها حتى أصبحت في النهاية ما يعرف “بالتقاليد” أو “أسلوب حياة”، سيدافع الكثيرون عن الوضع الراهن المشكوك فيه كجزء من واجبهم، ولقد أدى موت الأيديولوجيات أو إضعافها منذ التسعينيات إلى حدوث فراغ كبير، الأمر الذي دفع اقتصاد السوق الحر الغير خاضع للرقابة إلى تقييد مفهوم المواطنة، بحيث أصبح من الصعب تخيل ووضع مجموعة البدائل.
وفي إطار ما سبق يطلق مشروع التحرير لاونج جوته الموسم الثاني من مسرح الفكر تحت عنوان “صعود المعاني” مع دكتور علم الاجتماع عمرو علي – مؤسس مبادرة “أكاديمي الإسكندرية” ويركز مسرح الفكر على مفهوم المثالية، فهو مصطلح تم التخلص منه في القرن العشرين في ضوء الكوابيس الشمولية، لكن هذا الطريق اعتمد المثالية كوسيلة للنظر إلى الخلف نحو الماضي الخيالي والجنة، حيث التمتع بحياة مختلفة أفضل، بريئة، متناغمة، ويتم وضع مستقبل غامض في أعماق الماضي الاختزالي، وربما يكون هذا هو مصطلح المثالية من وجهة نظر مؤيديها، إلا أنه غالبًا ما يُحول الأمر إلى واقع مرير، إن المثالية الثانية التي ستستكشفها في حلقات مسرح الفكر ليست هي التي تتطلع إلى استعادة الماضي المفقود، ولكنها تتخيل المدينة الفاضلة كمنتج مقصود للعمل العقلاني والطاقات الإنسانية التي يمكن من خلالها تحقيق المجتمع الجيد في المستقبل، كما يلقي مسرح الفكر الضوء على كيفية فهم مشكلات المجتمعات الحديثة مثل الفردية واللاإنسانية، والشعور بالوحدة، والوسطية، وتفتيت الروايات المدنية.
يتضمن مسرح الفكر هذا العام أربع حلقات يعقبها ثلاث ورش عمل الأولى حول المفاهيم الفلسفية التي تحدث عنها بنيامين والتر عالم الفلسفة والاجتماع الألماني الشهير، والثانية تدور حول الحكي، أما الثالثة تركز حول الأداء المسرحي للموضوعات الفلسفية السابق ذكرها في مسرح الفكر، ستكون الأولوية لحضور الورش لمن شاركوا بالحلقات النقاشية، وعقب الانتهاء من ورش العمل سيقوم مشروع التحرير لاونج جوته بإنتاج كتيب يضم أعمال وإبداعات المشاركين بالورش، ويستهدف مسرح الفكر الفنانين والمدونين ومخرجي الأفلام التسجيلية والكتاب ومديري المشروعات التنموية والثقافية والمهتمين بالموضوعات الفلسفية والفكرية.
يذكر أن “المثالية” حلم راود الفلاسفة والمفكرين لإنشاء مدينة فاضلة يعيش مواطنوها في سلام ووئام، الهدف منها هو تأسيسها إنسانيًا وليس عمرانيًا كمختلف المدن، تركز على أهمية ترابط أفراد المجتمع وترسيخ مبادئ الانتماء والهوية، وتكون الدولة بمثابة كائن حي وجسد واحد يتكون من عدد هائل من الخلايا التي تمثل أفراد المجتمع، وتعتبر المساواة والعدالة من أهم القواعد والأسس التي تُبنى عليها تلك المدنية الفاضلة، لتحقيق التكافل والتكامل بين أفراد المجتمع.
انطلق مسرح الفكر العام الماضي بالتعاون مع الدكتور عمرو علي، ناقش خلالها العديد من النظريات والأبعاد الفكرية والفلسفية، واستهدف المهتمين بالقضايا الفلسفية والفكرية، وذلك من خلال ثلاث حلقات وهي: -“فكرة البدايات” و”آفة الطمس” و”مجتمع مبدع”.
الدكتور عمرو علي هو دكتور علم الاجتماع في الجامعة الأمريكية بالقاهرة، محاضر في العديد من الجامعات والمعاهد في القاهرة والإسكندرية، تتناول أبحاثه دراسة المجتمعات، والحالة الإنسانية في ظل الاعتداء من قوى الاستهلاك العالمي والثقافة المادية، وآثر ذلك على الهوية، ومعنى المدينة والحداثة والمواطنة، حصل على الدكتوراه من جامعة سيدني وكانت الرسالة البحثية الخاصة به عن دور الخيال التاريخي في تشكيل الإسكندرية الحديثة ومواطنيها.
This might prompt further questions as to why Egypt would waste tens of millions of pounds on posters and banners for President Abdel Fattah al-Sisi, when his rivals have been muzzled and no credible candidate stands to challenge him? After all, these posters cost, according to one company I spoke with, from LE800 to LE5,000 each, mostly paid for by businesses — money that could have been better spent on hospitals and schools, or even the government’s Tahya Masr (Long Live Egypt) philanthropic fund. But the costly flooding of images across cities makes sense when one considers them to be a symptom of a deeper pathology, one in which political despotism elevates the ruler’s will and passion over rational action and debate and scuffles public welfare by turning the citizenry into a homogenous mass without any real representation. But even the most anti-democratic election can reveal much about the system and its key players.
Rigged elections come in all varieties: ballot-stuffing, the arrest of opposition figures, intimidation of opposition supporters and miscounting of votes, among other imaginative techniques. Yet at the heart of it all remains a consistent factor — the regime views elections not as an institutionalized mechanism within an accountable governance process, but as a carefully orchestrated event wrapped in a spectacle to reinforce the regime’s strength and test the oppositional waters.
By the very nature of their positions, authoritarian leaders project extreme insecurity, as their legitimacy is not reaped from popular representation and democratic accountability, but from the support of elites and the security establishment. This type of support is extremely precarious, as it is not only suspended above responsible political cycles, but also makes for potentially messy endings such as coups, revolutions and imprisonment. Therefore, elections are often a safety valve to manage threats.
Such elections offer a “dignified” way for presidents to purge strong popular supporters who can emerge as a threat (even if their staunch loyalty was never in question), and reshuffle Cabinet ministers. This can give the illusion to the public that a reset is taking place, and that economic problems should be blamed solely on such ousted ministers, not the president. Elections signal to supporters why they need to be co-opted, and to opponents that broad support for the regime invites further crackdowns. The post-election period often sees security apparatuses reorganize to intimidate real and potential opponents. This is made possible in the first place because an election enables the regime to test the strength of its opposition, and to learn more about them. In an ironic twist, elections can prolong dictatorships.
Elections signal to domestic and international audiences that a “popular mandate” has been renewed, and the establishment is united behind the head of state in question, so foreign leaders need to primarily deal with the president, not the defense minister or to flirt with opposition figures. Also, it is slightly more compelling (albeit still comical) for a president to say, “My people support me and that’s why I won the recent election,” rather than just mouthing a non-concrete, “My people support me” platitude. It is for this reason that authoritarian figures can largely end up, and often do, detached from the public. With the Arab revolutions as the backdrop, the idea of not touching base with the public is unsettling for many leaders. But rather than gain legitimate consent, which is not guaranteed, they would still prefer to manufacture it.
But staged elections also come with a huge risk. According to a University of Oslo study, 50 percent of regime breakdowns or “dictatorship deaths” have occurred during an election year. This is because elections act as a meeting point on which oppositional individuals and groups can focus their attention. Therefore, elections enable coordination, and amplify certain voices. In effect, the election resolves the “coordination problem” that usually plagues oppositional actors at other moments. They also reveal a regime’s vulnerability. A surprising result that shows a loss for the ruling party would lead the people to believe they had overestimated the regime’s strength. Empty voting stations and short voting queues can prove embarrassing enough to break the spell of a leader’s indomitability and allay the fears of activists. This was demonstrated in the 2014 Egyptian presidential election, which sent pro-regime media anchors into a frenzy of begging citizens to vote and the authorities had to extend voting by another two days. Elections unleash forces that cannot always be anticipated or controlled.
Biographers of former President Gamal Abdel Nasser noted that he was obsessed with jokes being made about him and was briefed daily about the latest jokes in circulation. Egyptian humor seems to spare nothing, including ancient Egyptian statues who changed confessions about which historical dynasty they were from — under Nasser’s torture. According to writer Anthony McDermott, one account narrates how Nasser, unusually, intervened in a particular instance in the 1960s when mocked for his near hundred percent referendum victories. The jester in question was brought before Nasser, who reprimanded him and reminded him of his achievements and popularity by adding, “And remember, I was elected by 99 percent of the electorate.” The man replied, “I swear, this was not one of my jokes.”
If this anecdote can perhaps illuminate something, it is that the peak charade — the “election” — in a regime’s lifespan can often be its most vulnerable moment.
I cracked a self-deprecating joke to a friend in Cairo upon my return from Morocco, “I think Moroccans have a highly favourable view of Egyptians because many have never actually met one.” I did not encounter a single Egyptian through my travels through Morocco. What it often means is that you might be the first Egyptian a Moroccan ever meets. A matter not unfamiliar with my colleagues who have experienced this. This was surprising given the intimate history between Egypt and Morocco. Therefore, the idea of Egypt in the Moroccan worldview was not usually based on tangible encounters as much as it was based on popular arts and religious discourse.
The Egyptian dynamic accentuated the already quintessential Moroccan hospitality. I was overwhelmed with the warmth and openness. From the heartfelt greetings to the insistence of staying over peoples homes, to the complementary desserts and soft drinks at restaurants. Egypt’s soft power at the geopolitical level may lay in tatters, but at least it has enough spark to result in receiving free caramel tiramisu and Miranda lime.
Facetiousness aside, I thought the recent Economist article on the decline of Egyptian Arabic (read: Egyptian culture) over the Arab world failed to capture the complexities of how influence works. The article certainly makes valid points, particularly with the decline of the linguistic monopoly Egypt once held, but answers cannot be sought from the Dubai International Film Festival and Arab Idol. To neglect, for example, how Egypt functions in the lower socioeconomic strata and religious discourse in areas of the Arab world would be to distort the image.
While I am not claiming to have done a comprehensive methodological study (although I would hope to do so in the near future), I have sought to diversify the spaces I engaged with to see how Egypt themes and references operate in Rabat, Marrakesh, Fez, Chefchaoun, and Tangier. I focussed on lower-socioeconomic neighbourhoods, upscale cafes, but the heaviest focus was given to mosques and coffeehouses, simply because it was the expected and common space of discussions. I preferred the free-flowing conversations and story-telling format, in which I extracted themes and meaning from the pattern of discussions. Unfortunately, I did not spend enough time in Casablanca to gauge substantial perceptions (which I feel is a weakness in my notes given it is the largest city). While I did some questioning, it is not wide enough and deep enough to merit writing it. In light of the above factors, this piece should be looked upon as an essay with meaningful indicators.
Egypt appeared to hold the strongest sway among the poor, middle class poor, and the religious streams of Morocco. This was reflective in the appeal to the popular arts, literature, or religious texts. Statements such as “Egypt is our dear brother”, “Egypt and Morocco are like this” (with hands clasped strongly together) or masculine-fuelled lines such as “Egypt has real men” were commonly heard. There is even a cross-sectional friendly inside joke among Moroccans to the timeless Egyptian claim Masr Um al-dunya (“Egypt is the mother of the world”)¸ they respond weh Maghrib abuha (“and Morocco is [Egypt’s] father”). It was partly funny because everyone telling me thought I was always hearing it for the first time.
My Marrakesh neighbours who never tired of saying “we love Egypt, and they love us”Grafitti artists in FezThey were mesmerised by the Egyptian dialect (Fez)
The favourable view of Egypt begins to fragment as you move up the socio-economic ladder. Residents of Tangier who portrayed themselves as socially mobile, liberal, globalised and tinged with a Euro-centric view, could at times express a ridiculing view of Egypt (the above “inside” joke now takes on a different meaning) as a backwater of poverty and extreme conservatism.
However, this alternates among these same social groups who might identify with a clear religious, Arabist or leftist bent, or have a liberal arts background. Accordingly, there was a sort of sympathetic heartbreak expressed at “what has become of Egypt,” with Cairo’s declining regional influence, harmfully erratic position on Palestine, the diminishing quality of films and a media circus gone crazy.
Om Kalthoum songs could be heard in shaabi (common, working class) restaurants and AbdelHalim Hafez in the souks. What surprised me was to hear the mahraganat music played by Chefchaoun’s disenchanted youth from their mobile phones. Adel Imam was still it seems the most popular actor, Ramez Galal was disdained not just for the mindless pranks he played in Morocco in Ramadan but may have come to symbolise the disheartening state of Egyptian entertainment. Egyptian authors, from Naguib Mahfouz to Youssef Ziedan, featured prominently in bookstores and were read by the Moroccan reading public that I encountered.
Coffeeshop in Tangier
On the political front, not a single Moroccan had a positive view of Egyptian president Sisi when his name was mentioned. However, it was not unusual for imams and worshippers at mosques to tell me the religious precept “do not rebel against the ruler,” alluding repetitively that Egyptians would have lived “better” if they did not overthrow Mubarak.
Gamal Abdel Nasser was surprisingly only mentioned twice (mainly in a neutral way). A few references were made to his era. While Morocco had a marginal role in the pan-Arabist wave of the 1950s and 1960s, it was interesting to see (or not) its lingering effect.
University students and recent alumni developed a shared narrative with Egypt as a result of the 2011 Egyptian revolution and the Arab uprisings, but this identification has become more ambivalent over the chaotic years (This area I did not pursue in any worthwhile depth but there are studies that have explored the question of Moroccan identity after 2011).
When it comes to religion, Egypt performs the strongest. With even children in the kasbahs mentioning Abdul Basit Abdus Samad (a prominent Quran reciter, 1927-1988) in the same breath as the pyramids. Al-Azhar was, predictably, mentioned frequently.
Pharaoh Ramses II was the most commonly referenced figure in regards to Egypt. The pharaoh of the Quran and Old Testament projects an unusual hold over the imagination. While in urban Egypt, the use of ‘Pharaoh’ in the popular discourse can often serve no more than a superficial labeling of every dictator who shows up on the scene; he was treated by Moroccans, however, as a sort of existential question on evil and oppression.
Tour Hassan Mosque, Rabat
In mosques, the imams and congregants alike frequently invoked the following Quranic verses to not only frame Egypt, but, at times, to position their conversations with me.
“And We revealed to Moses and his brother, saying: Take for your people houses to abide in Egypt and make your houses places of worship and keep up prayer and give good news to the believers.” Jonah 10:87
“And the Egyptian who bought him said to his wife: Give him an honorable abode, maybe he will be useful to us, or we may adopt him as a son. And thus did We establish Yusuf in the land and that We might teach him the interpretation of sayings, and Allah is the master of His affair, but most people do not know.” Jonah 12.21
“Then when they came in to Yusuf, he took his parents to lodge with him and said: Enter safe into Egypt, if Allah please.” Yusuf 12.99
And Pharaoh proclaimed among his people, saying: “O my people! Does not the dominion of Egypt belong to me, (witness) these streams flowing underneath my (palace)? What! see ye not then?” Zukh’ruf (The Gold Adornment) 43:51
Apocryphal accounts arose when you tapped into Moroccan folklore. While Abdullah, a farmer in Chefchaouen, narrated some sound and verifiable stories such as “..A big part of our community migrated to the city of Alexandria over the centuries.” It was the tales that I found quite interesting: “[Pharaoh] Ramses came here and gave Morocco its name. Yet he preferred to die in Egypt.”
Abdullah (Chefchaoun)
The hadiths on Egypt and other matters were also quoted, but it was the below hadith by Islam’s prophet that struck me because of how I understood its function in Egyptian discussions.
Abu Zar reported that Allah’s Messenger (Sallallahu Alaihi wa Sallam) said: “You will conquer Egypt, a land where Qirat (a measure of weight and area) is used. When you conquer that land, you have to treat its people kindly since they have a right of kinship upon you.” [Reported by Imam Muslim Ahmad]
I developed a different relationship to these hadiths in Egypt (here I mean mainly Cairo and Alexandria). When they were quoted, it was difficult to tell how much of it was clothed in nationalist sentiments. The absence of humility, at times, of narrating it did not help. But my concern grew at how it can be used to disarm activism and accept the status quo, as if the divine simply takes care of Egypt, the Prophet blesses it, and thus human action need not apply to better a situation, for eternity.
However, voiced by Moroccans who are not entangled with Egypt’s endless political problems gave it a somewhat impartial sincerity. For example, Imam Ahmed, a warm and humble man at a small mosque in the mountains of Chefchaoun, repeatedly used the word Qirat to drill into me the gravitational importance of Egypt, at least how he understood it.
Imam Ahmed, his smile will brighten your dayLocal children at Chefchauon’s mountains
The religious and mosque-attending Moroccans correlated strongly with a positive view of Egypt. In fact, I did not find a single exception to this rule. While the Amazigh people (mainly in Fez and Chefchaoun) emphasised the Islamic relations with Egypt at the expense of the Arab dimension, they did not necessarily shy away from the latter (it’s complex to explain, but I will be reductionist and say that it came down to the perceived problem being with Moroccan Arabism than the Egyptian version).
Transnational groups like Islamists and Sufis had visiting relations with their counterparts in Egypt. These relations were formed either on the Hajj (pilgrimage) to Mecca, visits to key mosques or educational spaces popular with Sufis. For Islamists, it was not unusual for friendships to have been formed in France where they once worked (but returned to be in a “Muslim country”). Their lived experience of Egypt seems to be fundamentally shaped by these close relations.
Final Thoughts
Some 700 years ago, the Moroccan explorer Ibn Battuta narrated his encounter with Cairo. What is fascinating is that today’s Moroccan descriptions of Egypt can easily paraphrase his account.
“I arrived at length in Cairo, mother of cities and seat of Pharaoh the tyrant, mistress of broad regions and fruitful lands, boundless in multitude of buildings, peerless in beauty and splendour, the meeting-place of comer and goer, the halting place of feeble and mighty, whose throngs surge as the waves of the sea, and can scarce be contained in her for all her size and capacity.” (1326 CE)
One should also take into consideration how the Moroccan imaginary of the Arab and Muslim world developed over the centuries:
“For many centuries, the pilgrimage caravan was the most important, if not the only means of travel to the Holy Lands. On their way, Moroccan pilgrims were forced to cross the majority of Arab Muslim lands. This fact alone gives the Moroccan travels a complexity that is reflected in the texts and colours the perception of sacred space and time.” Abderrahmane El Moudden, “The Ambivalence of rihla: community integration and self-definition in Moroccan travel accounts, 1300-1800” in Eickelman, Dale F (eds.) Muslim Travellers: Pilgrimage, Migration, and the Religious Imagination Comparative Studies On Muslim Societies (1990) p 73.
Modern Morocco is a vast social reservoir that needs to be explored further in juxtaposition with Egypt. The other side of Egyptian influence is that Morocco shaped Egypt over the centuries, among them: dynasties, architecture, religion and philosophy. I do not see why we cannot better examine some of their concepts and approaches to help address questions that trouble us in Egypt’s urban, social and religious settings. That is for another essay.
Finally, the street art of Oum Kalthoum shown at the start can put matters in perspective when you see it as part of a larger mural in Tangier. Instead of simply the decline of Egyptian influence, it can perhaps be said the stage just got more crowded.
The below concept was adopted for a contemporary theatre play in Cairo and Berlin
Below is my philosophical concept that underpins the play (it is not a description of the play)
When the Debris of Paradise Calls There is a deep-seated crisis within Egyptian society, the youth no less, that sees the human condition under assault by global consumption and material culture. An assault largely fanned by elites invoking market-driven economics to justify perpetual development and redevelopment, as well as the erasure of heritage and vibrant communities. The impact goes beyond the citizen facing chronic underemployment, poverty, and the entrapment within a predatory economy dominated by opaque forces beyond their control or understanding.
The individual has been torn away from a sense of cause and effect; suspended above time and its continuity by a severing from historical awareness; developed a deteriorating association with aesthetical standards; all forms of logic have been degraded to shades of ad hominem and confirmation bias; and conspiracies have become the lingua franca. Survive rather than thrive has become the norm. What is needed is to restore the individual’s dignity and agency by “recalibrating” it to relate to the city.
This, in part, can be addressed by raising philosophical thinking that unpacks the core areas of philosophy – aesthetics, epistemology, ethics, logic and metaphysics – and narrowing them to digestible, understandable and fundamental questions that can be engaged with through the arts. Some of these questions can include, in the face of neoliberalism’s dehumanisation, how do publics sustain or retrieve meaningful communities? How can historical imaginaries, ideas, persons, sensibilities, and aesthetics, work their way into renegotiating the citizen’s relationship to the city? How can a crippling nostalgia be appropriated for a forward-looking civic vision? How do these themes make one better understand the familiar spaces such as neighbourhoods and coffeehouses? How do groups understand their role in endowing their urban terrain with a clearer identity and coherent narrative?
This concept is driven by the view that the public should be recognised, and elevated, as the primary ideal, and the individual’s present difficulties in experiencing or attaining pluralism and civic responsibility is tied to the city’s loss of meaning and the citizen’s alienation from one another. The development of philosophical thinking, and its performance, can help address this malaise.
The use of “paradise” alludes to the beauty that weaves its ways through the urban terrain; in social relations, love, language, buildings, decor, music, books, among others. Yet what happens when that paradise crumbles? The sight of tangible and intangible debris is a call to intellectual arms, an artistic awakening required to alert the citizens that something is not quite right. The broken paradise should not be normalised.
There is a need to humanise Egypt, animate the idea of citizenship, and flesh out plurality, biographies and stories from a landscape under assault by the forces of homogenisation and mediocrity. A grand vision is required to nurture the creation of a vibrant public that will demonstrate to other publics that there is another way, a viable way, of looking and dealing with Egypt.
I will be presenting the final ‘Theatre of Thought’ lecture for the year on the Creative Public at 7pm, Tuesday 5 December 2017, at Goethe’s Tahrir Lounge, Cairo.
“Do publics simply exist or are they always created? This seminar takes on the latter in exploring how publics are summoned into being, that perhaps there is a way to explore the idea of new publics made through intellectuals, musicians, artists, books, proclamations, and events. Yet this session attempts to raise a further question, can we write for, or speak to, the public that does not yet exist? This session draws from Czech philosopher Václav Havel’s ‘Parallel Polis’ and French philosopher Gilles Deleuze’s notion of ‘gaps of silence,’ relevance and truth, to understand the role of independent thinking and its relationship to the idea of the public.”
هل هناك مجتمعات مبدعة ؟ هل يمكن تكوينها؟ علي من يقع تشكيلها؟”
اسألة تدور في اذهاننا ؟
يقدم مسرح الفكر بالتحرير لاونج جوتة هذا العام تجربة جديدة و تطرح الفكر والمفكرين بأسلوب شيق وجذاب .
ندعوكم للمشاركة في اخر ندوات هذا العام حول موضوع ( المجتمع المبدع ) هل هو موجود و أين وإذا لم يكن موجود ! ماذا نفعل ! هل لنا ادوار !
فكرة “مجتمع مبدع”، في السابعة مساء الثلاثاء 5 ديسمبر المُقبل، وتطرح تساؤلات: هل المجتمعات موجودة بالفطرة، أم أنها تولد من جديد دائمًا، لاستكشاف الكيفية التي يمكن أن يتم بها صناعة المجتمع المبدع والخلّاق من خلال المثقفين والموسيقيين والفنانين، بالإضافة إلى الكتب والأحداث.
إلا أن هذه الندوة تحاول إثارة المزيد من التساؤلات: هل يمكننا أن نكتب أو نتكلم مع هذا المجتمع الذي لا يوجد حتى الآن؟ هل يمكن للأفراد جلب هذا المجتمع إلى حيز الوجود؟
السيرة الذاتية للمحاضر الدكتور عمرو علي ، عو عالم الإجتماع في الجامعة الأمريكية بالقاهرة، محاضر في العديد من الجامعات والمعاهد في القاهرة والإسكندرية، تتناول أبحاثه دراسة المجتمعات، والحالة الإنسانية في ظل الإعتداء من قوى الاستهلاك العالمي والثقافة المادية، وآثر ذلك على الهوية، ومعنى المدينة والحداثة والمواطنة، حصل على الدكتوراه من جامعة سيدني وكانت الرسالة البحثية الخاصة به عن دور الخيال التاريخي في تشكيل الإسكندرية الحديثة ومواطنيها.
“في انتظاركم و بناء علي رغبتكم سيتم مد الندوة حتي ٩:٣٠ مساءً لنتمكن من ربط الثلاث ندوات كما وعدناكم
Charlie Chaplin’s The Circus (1928), lion scene. We will examine the role of silence, imagination, and the shifting of responsibility of voice and perception from actor to viewer.
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في بعض الأحيان نعتقد أن هناك بعض الأشخاص لا يعرفون كيفية التعبيرعن أنفسهم، ولكن في الحقيقة أنهم يعبرون عن أنفسهم. أسوأ العلاقات هي التي تكون بها المرأة مشغولة البال أو متعبة ولا يقول لها الرجل “ماذا بك؟” أو “قولي شيئًا ما..”، أو عندما يحدث العكس، فإن الإذاعة والتلفزيون أدت إلى انتشار هذه الروح في كل مكان، وذلك بسبب التشويش ونشر كلام ليس له معنى، بالإضافة إلى الكم الهائل من الكلمات والصور. الأغبياء ليسوا عُميان أو صامتين أبدًا، لذا ليس هناك مشكلة في إتاحة الفرصة للأشخاص للتعبيرعن أنفسهم، ولكن مع إعطائهم القليل من مساحات العزلة والصمت، والذي قد يتيح لهم في النهاية فرصة للحديث. القوة القمعية لا يمكن أن توقف الأشخاص من التعبير عن أنفسهم؛ ولكنها تحفزهم على التعبير عن أنفسهم، نحن نشعر بالراحة عندما لا نجد شيئاً نقوله، والحق في ألا نقول شيئاً، لأن في هذه الأوقات تكون هناك فرص ومساحات لأن يكون هناك شيئاً نادراً والأكثر ندرة، الشيء الذي يستحق أن يقال. ما نعاني منه هذه الأيام ليس هناك ما يمنع عمليات التواصل، ولكن وجود عبارات ليس لها معنى. ما نعنيه هو الهدف من تلك عبارات. هذا هو التعريف الوحيد للمعنى، وينطبق هذا الشىء على العبارات الجديدة. يمكنك الاستماع إلى الأخرين لساعات، ولكن ما هي الجدوى الحقيقية من ذلك؟؟ هذا ما يجعل الجدال يشكل جهداً وضغطاً كبيرا. لماذا لا توجد أي نقطة جدال؟؟ لا يمكنك فقط أن تخبر أحداً أن ما يقوله ليس له معنى فتخبره أنه على خطأ، ولكن ما يقوله ليس بالضرورة أن يكون خطأً، المشكلة لا تكمن في أن بعض الأشياء خاطئة، ولكنها قد تكون سطحية أو غير مترابطة، وهذا ما تم الإشارة إليه آلاف المرات. إن مفاهيم الموائمة والأهمية والهدف من الأشياء تعد أكثر أهمية من مفهوم الحقيقة. فهي ليست بديلاً للحقيقة ولكنها تعد مقياسًا لحقيقة ما أقوله، وهذا ما يحدث في علم الرياضيات، بوانكاريه عالم الرياضيات كان دائماً يقول أن العديد من النظريات ليست مترابطة تماماً وليس لها أهمية (بلا جدوى)، هو لا يقول أنها خاطئة – وهذا ليس سيئًا للغاية.
الانحياز التأكيدي، يُدعى أيضًا ا لانحيازالذاتي، هو الميل للبحث عن، وتفسير، وتذكُّر المعلومات بطريقة تتوافق مع معتقدات وافتراضات الفرد، بينما لا يولي انتباهًا مماثلًا للمعلومات المناقضة لها .هو نوع من الانحياز المعرفي والخطأ في الاستقراء. يُظهر الأشخاص هذا الانحياز عندما يجمعون أو يتذكّرون المعلومات بشكل انتقائي، أو عندما يفسّرونها بطريقة متحيّزة. يكون تأثير ذلك أقوى في المسائل المحكومة عاطفيًا والمعتقدات الراسخة بشدّة. يميل الأشخاص أيضًا إلى تفسير الأدلة الغامضة بشكل يدعم موقفهم الراهِن. استُشهد بالانحياز في البحث، والتفسير، والذاكرة لتأويل تضارُب الموقف (عندما يُصبح الخلاف أكثر حِدَّة برغم توافُر الأدلة نفسها لدى الأطراف المتنازعة)، ورسوخ الاعتقاد (عندما يستمر الاعتقاد بعد توضيح أن الدليل الذي يدعمه خاطئ)، تأثير الأسبقيّة غير المنطقيّة (الاعتماد بشكل أكبر على أوّل ما وُجد من سلسلة معلومات) والربط الوهمي (عندما يوجد اعتقاد خاطئ بارتباط حدثين أو موقفين). الانحيازالذاتي
The second lecture (in Arabic) at Goethe’s Tahrir Lounge will take place on 28 November 2017, at 7pm, in Cairo, as part of the ongoing ‘Theatre of Thought’ project. The upcoming seminar draws inspiration from Walter Benjamin’s ‘loss of aura’ concept to understand the effects of neoliberalism, hyper-capitalism, and skewed globalisation, that are negatively erasing the differences and contours of the Egyptian cultural and social landscape. One after the other: buildings, cafes, malls, decor, fashion, weddings and so forth, exhume a toxic similarity that is leading to the socio-philosophical problem of shapelessness. The homogenisation and ironing out of character in the cities raises the question, if not yearning, on how does one engage and formulate meaning, form and shape out of an increasingly bland and shapeless urban terrain?
النيوليبرالية،الرأسمالية المفرطة و العولمة تمحو بشكل سلبي الإختلافات والملامح في المشهد الثقافي والإجتماعي المصري واحدآ تلو الآخر، فالتشابه بين المباني، المقاهي، المراكز التجارية، والديكور والأزياء إلى آخره غير مريح حيث يؤدي ذلك إلى استنساخ شخصيات متشابهة دون أي هوية فردية لكل منهم مما أوجد المشكلة الإجتماعية الفلسفية في طمس الهوية، وهذا يدفعنا إلى سؤال كيف يمكن للمرء أن ينخرط في المجتمع ويتشكل في ظل هذا التشوه المتزايد.
تقام الندوة يوم الثلاثاء 28 نوفمبر من الساعة 7 وحتى 9 مساءً في مقر مشروع التحرير لاونج جوته داخل معهد جوته بوسط البلد.
مسرح الفكر كل يوم ثلاثاء من ٧ الي ٩ مساء. في التحرير لاونج. جوتة
٦شارع البستان متفرع من طلعت حرب وسط البلد داخل المركز الثقافي الألماني
I’ll be giving a series of lectures (in Arabic) under a new project, Theatre of Thought, at the Goethe Institute’s Tahrir Lounge in Cairo. The first session, 6pm, 21 November 2017, brings Hannah Arendt and Edward Said into a conversation on the notion of beginnings. Entry is free.
This seminar explores the phenomenon of how new beginnings occur in this world, what dynamics underpin the disturbance of the known order that interrupts the “predictable” flow of history and enables for something novel and new to come into existence. Yet beginnings do not always need to be this dramatic. Think of conversational lines, literary openings, and memorable moments: “once upon a time”, “in the beginning”, “good morning”, sunrise, love at first sight, or the birth of a baby. Humans are fascinated with beginnings as it is intimately tied with novelty, suspense, the chance to recreate something anew, and it is also the furthest extreme point from mortality (literally and figuratively). This session examines why the idea of beginnings is important to understand in the context of Egypt, how new beginnings set the pace, how they can eventually take a life form of their own, and how they can cause a breach and break up of previously known patterns of cause and effect.
‘فكرة البدايات’
فكرة البدايات قد تكون غير مفهومة فالبدايات لها فلسفتها الخاصة .. نوع البداية يتحكم في سير الأمور سواء إلى الأفضل أو الأسوء، لذلك يميل أغلب البشر الى اختيار بداية لليوم تدعو للتفاؤل، كما نرى على سبيل المثال بعض القصص والحكايات تبدأ بعبارات تفاؤلية مثل “صباح الخير “، “شروق الشمس ” ، “الحب لأول وهلة”،”ولادة طفل”..
و يميل أغلب الكتاب الى بدء رواياتهم وقصصهم بمقدمات مشوقة لاضفاء اجواء من التفاؤل والتشويق لجذب القارئ، حيث أن البدايات لديها القدرة على تغيير الواقع الذي يعيشه اي انسان و تغيير مسار حياته..
تقام الندوة يوم الثلاثاء 21 نوفمبر من الساعة 7 وحتى 9 مساءً في مقر مشروع التحرير لاونج جوته داخل معهد جوته بوسط البلد.
Understanding Alexandria as a second city can shed light on how historical imaginaries influence present-day experiences, as well as the cultural practices and social norms that arise; as the very notion of “second,” and the inevitable comparisons with other cities that it spurs, can drive decisions and shape a peculiar approach to one’s city.
