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The Swedish Institute Alexandria partners with Alexandria Scholars in facilitating an intellectual project that brings together international and national figures to converse with local Alexandrian actors from academia and civil society.
The aim is to discuss and explore prospective solutions to Alexandria’s challenges through the terrain of historical, urban, and philosophical analysis – derived from Alexandria`s pluralist origins. The question we raise is how can the city better understand itself and its positioning in Egypt, Mediterranean basin, and the world given what it used to be as well as its current potential?
The monthly sessions are driven by the view that the public should be recognized, and elevated, as the primary ideal, and Alexandria’s present difficulties in attaining pluralism and civic responsibility is partially tied to the city’s loss of civic meaning and identity as a pivotal and dynamic metropolis on the southern Mediterranean coast.
The first of these monthly sessions will be held at SwedAlex premises on Monday 10h of October at 6:30 pm. It will raise a key question attributed to Alexandria`s contemporary challenges: How can Alexandria reposition itself in the modern world and what are currently the city’s strengths, limitations, and sense of identity?
The four monthly sessions will each, respectively, raise a key question attributed to Alexandria’s contemporary challenges: (a) How can Alexandria reposition itself in the modern world and what are currently the city’s strengths, limitations, and sense of identity? (b) Can the specter of nostalgia that haunts Alexandria be refashioned into a forward-looking civic vision? (c) What ideas and methods can be undertaken to plug the gaps in the dysfunctional education system, and ensure students acquire conceptual thinking and critical skills? (d) What approaches can be implemented in order to endow, or sharpen, Alexandria with a clearer identity and coherent narrative? The sessions will be in English with Arabic translation provided.
Yahia Shawkat – Co-founder & Research Coordinator of 10Tooba).
Reem Eltaib – Manager at Radio Tram and former assistant to governor of Alexandria, Hany el Messiry.
Karim-Yassin Goessinger – Founder and program director of the Cairo Institute of Liberal Arts and Sciences.
Curated by Amro Ali (lecturer in sociology at the American University in Cairo, and founder of Alexandria Scholars).
Please register your attendance by sending an email to firstname.lastname@example.org
* This lecture is in English language.
* Limited seats available. Priority for early registration.
Facebook event: https://www.facebook.com/events/955615517882221/
Session two: Alexandria and the “Curse” of Nostalgia (13 October 2016).
Session three: Alexandria and Miseducation System (10 November 2016).
Session four: Alexandria and the Reconstruction of a Civic Ethos (8 December 2016).
Tra il deserto immobile che “incessantemente si consuma” e il mare perpetuo che “manifesta furiosamente il rinnovamento” si è formata la “mia prima visione della realtà”.
Sono le parole di Giuseppe Ungaretti, poeta italiano nato ad Alessandria. Le scrisse nell’Egitto degli anni trenta. Oggi nel paese è presente una comunità transnazionale sempre più numerosa, emersa all’ombra delle rivolte arabe, soprattutto dopo la rivoluzione egiziana. Questa comunità si colloca tra un’Europa vuota di ideologie e in preda all’austerità e un Medio Oriente politicamente spietato e radicale. Ma chi sono, e qual è la loro “visione della realtà”?
Gli italiani transitati in Egitto negli ultimi anni illustrano bene le caratteristiche di questa comunità che con le sue idee supera le nazionalità e i rapporti geopolitici.
L’orribile morte di Giulio Regeni, il dottorando italiano torturato e assassinato mentre si trovava in Egitto per fare ricerca sul sindacato, ci impone di osservare più da vicino i saperi prodotti da queste persone sullo sfondo di rapporti storici, politici e sociali spesso tesi da un capo all’altro del Mediterraneo.
“La ribellione era necessaria nell’Europa delle politiche di austerità, e l’atto di ribellione stava accadendo in Egitto. L’Egitto ci stava ispirando a sfidare la nostra realtà”, mi ha detto Lucia Sorbera, una storica e femminista italiana di Pisa che per molti anni ha fatto ricerca in Egitto.
Prima delle rivolte arabe nel 2011, l’interesse degli attivisti italiani in Medio Oriente si è concentrato soprattutto sulla lotta palestinese. Dopo le rivolte però, dopo che piazza Tahrir ha esportato una forma di protesta spettacolare, tanti intellettuali italiani hanno cominciato a preoccuparsi dei paesi a sud del Mediterraneo, soprattutto l’Egitto. Nel giro di poco tempo i nomi di rivoluzionari egiziani come Alaa Abd El Fattah e Mina Daniel hanno cominciato a circolare nelle università italiane e tra le comunità di attivisti.
These are the words of Alexandrian-born Italian poet Giuseppe Ungaretti. He wrote them in the Egypt of the 1930s. Today, a growing transnational community of thinkers has emerged in the shadow of the Arab uprisings, particularly the Egyptian revolution. This community exists between an ideologically devoid and austere Europe, and a politically merciless and radical Middle East. But who are they, and what is their “vision of reality”?
The Italians who traversed Egypt in recent years stand out, and are illustrative of this transnational community that exists today and whose ideas trump nationality and geopolitical relations.
The horrific death of Giulio Regeni, the Italian PhD student who was tortured and murdered while in Egypt doing academic research on trade unions, has perhaps mandated us to take a closer look at this intellectual community that produces knowledge against the backdrop of often tense historical, political and social relations across the Mediterranean.
“Rebellion was much needed in the Europe of austerity policies, and it [the act of rebellion] was happening in Egypt. Egypt was inspiring us to challenge [our reality],” Lucia Sorbera, an Italian feminist historian from Pisa who has researched Egypt for many years, told me.
Prior to the Arab uprisings in 2011, Italian activists’ interest in the Middle East was primarily focused on the Palestinian struggle. But after the uprisings, after Tahrir Square exported an invigorating theatrical protest that made many on the Italian peninsula turn their faces to the south, many Italian intellectuals became preoccupied with south Mediterranean countries, especially Egypt. Soon enough, the names of Egyptian revolutionaries, such as Alaa Abd El Fattah and Mina Daniel, were becoming known throughout Italian university campuses and activist communities.
This was quite a change from a year earlier. In 2010, the Egyptian state made a strange appearance in Italian affairs after former Prime Minister Silvio Berlusconi secured the release of his underage Moroccan mistress, “Ruby the Heart-stealer” (Karima al-Mahroug), by telling police she was then-President Hosni Mubarak’s niece.
After Regeni disappeared for seven days, only to be found tortured to death, the pro-state media struggled to justify the murder. There were half-hearted accusations of espionage, but they did not sell well — relatively harsher statements only came in response to the European Parliament resolutioncondemning Egypt. This might have been due to the fact that Regeni was Italian, and there was no handy history of interventionism that the state and its cronies could bank on to promote an espionage charge or propagandize their usual conspiracy theories. It is safe to say if Regeni were American or British, it would have been far easier to dig up that country’s history of interventionism in Egypt as implicit justification for his death. But for Italy, there was no strong case in this regard.
In terms of public perceptions, Italy does not invoke any immediate threat in the public imaginary. Pro-Italian sentiments are not uncommon — from elite writers who praise historic relations with Rome that date back to classic antiquity, to the street vendor who tries to sell you a dubious “da Itali!” (It’s Italian!) leather belt, to my plumber who markets me a clearly marked “Made in China” water pump as being originally from Italy. Italy is more often than not perceived as a trademark of class, elegance and relatable credibility. To many Egyptians, for one reason or another, Italians are familiar Europeans.
Italians fit well into Egypt’s current crippling nostalgia of our bygone neighbors — a cosmopolitan narrative of a “once-had-and-lost-modernity,” as social historian of modern Egypt Lucie Ryzova puts it. It is a narrative that the current pro-government elites use when they say that the president “will make Egypt great again.” It is also a narrative that is equally promoted by the nostalgic public (especially manifested in social media through sharing of black-and-white images of a “cosmopolitan” Egyptian imaginary) as condemnation of the regime for having failed to care for heritage and culture.
The narrative is reinforced daily by the faded grandeur of buildings that remind you of their Italian architects. Or the conversations of older-generation Egyptians from an urban center who would have at least warmly recollected one Italian friend growing up, before they disappeared in the trenches of Nasser’s nationalization policies. In short, there is a lurking pro-Italian sentiment that is invoked by their presence in a past imagined to be more glorious.
“I always felt that being Italian in Egypt gave me a huge advantage,” says Alessandro Accorsi, an Italian journalist from the Marche region. “It helped me deal with policemen, government, people in the street. Egyptians love Italians — there’s a sense of brotherhood between the two countries, and I think we are also perceived as ‘less threatening’ than other countries from a world politics/power perspective.”
While this is a sentiment expressed by Italians in Egypt, it was also subjected to manipulation by the state, which used statements like “but we love Italians” in a frail attempt to evade responsibility. Regeni’s murder undermined the relative safety Italians have long enjoyed in Egypt. No one is off-limits in an insecure security state.
Sorbera acknowledges that the distinct relationship is quite a popular notion. “We share many experiences in terms of popular culture, a patriarchal structure of society and the history of cultural production — let’s think about cinema, for example.” However, she cautions, especially in light of Regeni’s death, this is partly a mystification, as “Italy and Egypt occupy two different positions in the geopolitical Mediterranean and global system, and Italy is certainly not a police state in which hundreds of people are disappearing.”
Other Italians do not necessarily view the situation through this lens, and echo statements one also hears from some French and Greeks. One tells me, “While authoritarian neoliberal control through violence and torture takes place in Egypt, in Italy it happens through deprivation of basic rights.” Egypt’s unabashed violence and lax rule of law cannot be compared to Italy’s, but there is a unique experience Italians seem to undergo that can act as a powerful catalyst for them to move to and emotionally invest in Egypt.
The issue has, in part, to do with a number of faceless and predatory Italian corporations that have a stake in North Africa, especially Egypt. When the chief of Confindustria (Italy’s national chamber of commerce) stated a few years ago that the southern Mediterranean is our China and should be considered as our main market and commercial partners, his statements raised concerns and masked a darker narrative. As Omar Robert Hamilton has argued, Italy is implicated in Egypt’s violence: from Italian company Iveco, which exports police trucks that ran over Egyptian protestors, to weapons company Fiocchi, which contributed the bullets that ended the lives of countless peaceful protestors. This is just a small part of the story of Italian companies invested in Egypt’s economy of violence — the very system that enabled Regeni’s death.
However, Italian activists, journalists and academics are, in fact, extremely critical of this neoliberal global order. Their support for Egyptian struggles for justice is an extension of a deeply anti-Italian establishment position.
“In some ways, [Egyptian president] Sisi and [Italian Prime Minister] Matteo Renzi are not any different,” says Azzurra Sarnataro, a researcher from Naples who works on community development in Cairo’s informal areas. “I stand against Sisi in the same way I stand against Renzi and his political and economic policies.”
By understanding this line of thinking — commonly expressed in different words — it becomes clear that Italians in Egypt are partly projecting their anti-neoliberal grievances onto Egypt.
“Egypt has always been (and still is) an excellent laboratory where it was possible to observe the interplay of endogenous and exogenous factors, and their impact on politics and society … the setup of power games on an ideological and religious basis, and the exposure of conflict of interests and the corruption machine,” says Chiara Diana, a researcher from the Campania region who writes on the post-revolution’s political socialization of Egyptian children.
Accorsi notes that he felt the Egyptian struggle was his struggle: “Egypt gave me an ideological space that I couldn’t find in Italy, exactly because the [Egyptian] revolution happened at a time when Italian social movements were living a general crisis and political apathy was reigning sovereign.”
Sorbera offers a more tempered view, saying, “Being away from home always provides a different — and I would say productive — space to articulate a more nuanced awareness of oneself and others.”
On the other hand, expanding on Accorsi’s view, Diana argues, “I think there is currently an ideological and political flattening in Italy that monopolizes citizens’ attention on issues such as security, terrorism, protection of national territory and culture. This prevents them from addressing problems related to their daily struggles, like the economic crisis or budget cuts in social welfare and education. In this way, there is the potential risk that those fundamental struggles take a back seat, while discrimination, fear, self-sufficiency and nationalisms lead the field.”
This, she states, is where Egypt breaks the morbid status quo. “In Egypt, the subalterns’ demands for human rights, social justice and freedom allow people like me to continue to believe in the dignity of human beings and in the struggle for their rights.”
While it might not be unusual to find such views in other Western nationals, the Italians stand out due to the more historically, socially and geographically intimate approaches they take toward the Mediterranean and Egypt, which can be summed up by what an Italian professor at the University of Bologna told his class: “The issue is not whether Turkey or Israel should join the European Union, but whether Italy should join the Arab League.”
Italy is also witnessing growing anti-Arab and anti-Muslim xenophobia, tied especially to the refugee crisis. But it’s not the bigots who are choosing to head south — those who follow an idealized line of thought from the peninsula’s base are crossing the sea because of such a perceived affinity.
“Many of us believe in the Mediterranean Sea, both as a space of historical and cultural bonds and a privileged space to express dissent,” says Enrico De Angelis, a scholar on media studies from Naples. “Italians complete their collective identity with the southern coast of the Mediterranean, and look to the south as they look to the north.”
“I feel a human proximity with Egyptians concerning some fundamental struggles, such as dignity of life, social justice and guaranteeing of basic human rights. Why this proximity? I don’t know, maybe because I come from the south of Italy, where social conditions are sometimes hard, like in Egypt,” Diana says. Sarnataro is more adamant, saying, “We as southern Italian, even those among us who are not politicized, share with Egypt an understanding of economic difficulties.”
Yet De Angelis takes exception toward such a widely held view, and states, “This can be a distortion due to the fact that we have regular access to some parts of Egyptian society and not all of it. There is a big difference between Italy and Egypt economically. Maybe you can say that the struggles against neoliberal policies can be the same, but from different positions.”
Nonetheless, what emerges across the board is a distinct southern Italian identity harnessed to building a bridge to North Africa. This is further legitimized by the fusion of the North’s anti-southern discrimination and anti-Arab racism, which was conveyed to me by an Italian professor from the University of Cà Foscari Venice, through the use of a 1960s Italian joke: Sicily is the only peaceful Arab country, as it has not yet declared war on Israel.
This is not to suggest that Regeni is a product of all the aforementioned factors. In fact, he left Italy at the age of 17 — a decade before he was murdered. Nevertheless, he was plugged into the Egyptian public sphere as an “Italian,” which came with the semiotics and social signifiers understood by the political, cultural, social and historical Egyptian matrix. Regeni’s gregarious personality, dynamic work and humane ideals — all within a “pro-Italian” environment — may have helped him until the illusion of immunity was shattered. It has “made us all equal in fear,” says Francesca Biancani from Bologna, a scholar on Middle East history with a focus on colonial Egypt.
Given their long and intimate experience with Italian activists and socialists over the years, it was not surprising that Egyptian revolutionaries circulated the hashtag, “Giulio is one of us and died like one of us.” Just as Rachel Corrie was adopted by the Palestinian cause, Regeni is possibly the first non-Egyptian to be inducted into the Egyptian revolution’s narrative of martyrdom. This was the first attempt to challenge the equation of citizenship and loyalty. That a member of a transnational community can also exhibit an equal, if not stronger, loyalty to Egypt’s public welfare is telling.
Regeni’s death, as Biancani notes, “could also be a promising new start for a wider struggle, really linking young generations with the same sensibility on both shores, as it seems to me that the way those in power are going back to utilizing very coercive forms of domination — almost anachronistically — is happening everywhere with varying degrees.”
The autobiographical novel by Italian writer Fausta Cialente, Le quattro ragazze Wieselberger (The Four Wieselberger Girls), is perhaps telling of the vision of Italians preoccupied by Egypt today. In 1922, Cialente witnessed a fascist parade underway from Milan to Rome. She responded by wanting to go back home to Alexandria in a “Middle East, all open, where freedom for us Europeans was full and pleasant.” She would later move to Cairo to air anti-Mussolini and anti-fascist propaganda over the radio.
The Italians who are preoccupied with Egypt today possibly see elements of Italy’s fascist past in the present world of Cairo and Alexandria — the cities that once offered them political safety and tolerance are now increasingly exhibiting the fascist tendencies ominously narrated by their grandparents. The road linking the two cities became the transitional cemetery to Regeni’s body when it was found dumped on the Cairo-Alexandria highway.
For Regeni, it seems to me that it was never just about writing a dissertation — tumultuous Egypt was the place where, as a student, his political identity could flourish through imaginative ways it could not back in Italy. It is where his “vision of reality” could be enriched and fulfilled. Like many of Italy’s youth who see their upward mobility hampered by nepotism, Regeni could, at the very least, “develop his sense of being a global citizen,” as Italian journalist Paola Caridi writes on her Invisible Arabs blog.
Maybe no one could better express Regeni’s vision more profoundly than his mother, Paola Regeni: Giulio was “an Italian citizen, a citizen of the world who could have helped many people in Egypt and the Middle East. He had foresight, that’s why he learned Arabic and was so interested in economics … [and] marginalization … He did not go to war. He was not a journalist. He was not a spy. He was a contemporary young man of the future who was studying. He went for research, and he died under torture.”
What response can be given when Regeni came to Egypt full of idealism and selflessness to understand the poor and downtrodden, only to tragically meet a fate not unknown to them?
I cannot think of a sentence that captures the monumental moral crisis that Egypt is faced with like this one by Regeni’s mother: “On his face, I saw all the world’s evil poured on him.”
Paola Regeni spoke from the other side of the sea. She held up a mirror toward Egypt and said, “What is happening now should make us all think about it. We lost Giulio, but many others ended up the same way as Giulio. So he might be an ‘isolated case’ for Italian history, but not if we look at Egypt and other countries.”
The mother of Khaled Saeed — the 28-year-old Alexandrian whose death under police custody in 2010 helped incite the Egyptian revolution — responded in kind. “I want to thank you for standing with us, and that you care about torture cases in Egypt,” she said.
In a coffee shop across the Alexandrian Corniche, a man asked why Italy is still making a fuss about Regeni. A patron stood up in the corner and yelled, “Because that’s what it looks like when a country actually cares for its own citizens.” An eerie silence followed. An evocative reminder why, some 50 meters away from the same coffee shop, Khaled Saeed was killed by two police officers almost six years ago, and his death mattered then — surely mattered enough for a revolution to be sparked. The same revolution’s fifth anniversary that saw Regeni go missing.
In the same anti-fascist spirit that Cialente wrote about in the 1920s, Regeni was, in a sense, a witness and warning siren, a harbinger of the rise of unaccountable rulers and the erosion of freedom, rights and human dignity. For that reason, among many, Regeni’s coming to Egypt was never in vain, and neither was his final departure.
I will be giving a talk and holding a discussion that seeks to understand how historical and philosophical processes shape the Alexandrian citizen’s relationship to identity, spaces and history. The session will raise questions of how does one improve their relationship to the city in a climate of indifference and apathy? How is greater meaning attained, beyond food and work, when mediocrity is on the rise? How does one set a counter-example when things around – from architecture to basic aesthetics – appear to be getting worse and ugly. The talk is to initiate a conversation on what challenges prevent such questions being raised and enacted, and what dimensions of Alexandrian society hampers social and civic progress.
This talk will be in Arabic
Date: 5 April 2016
Venue: Bab Ashra, Alexandria
Facebook event page
Free admission and open to the public. As seating is limited, please register by sending a message with your name and mobile phone number to Bab Ashra Facebook Page
more info :
03/5754917 – 01220841384 – 01223541065 – 01211624006
Address : Janaklis ,abuoker .. mortada st. Elkhalig tower entrance G ..first floor
العودة إلى المدينة
عن فهم تاريخ الوعي بالمسئولية المدنية في الإسكندرية في إطار تاريخي
هذه المناقشة تسعى إلى فهم كيف شكلت العوامل التاريخية والفلسفية علاقة المواطن السكندري بالهوية والمساحات والتاريخ . كما انها تثير عدة أسئلة منها: كيف يمكن للمرء تحسين العلاقة بينه وبين المدينة في جو من اللامبالاة و الفتور ؟ كيف يمكن التوصل الى معان أسمى للحياة تتخطى الأكل والعمل في حين أن الاعتيادية في ازدياد ؟ كيف يصبح الانسان نموذجا للمقاومة عندما تكون الأمور في جميع النواح – من العمارة إلى الجماليات الأساسية – تزداد سوءا و قبحا .
المناقشة تأتي لبدء حديث عن التحديات التي تحول دون اثارة مثل هذه الأسئلة، كما انها تضم الأبعاد المختلفة في المجتمع السكندري التي تعوق التقدم الاجتماعي و المدني .
نأسف لمحدودية العدد نظراً لسعة المكان , لراغبي الحضور ارسال الأسم ورقم الموبايل علي :
03/5754917 – 01220841384 – 01223541065 – 01211624006
أو التوجه مباشرة الي مقر الأتيليه :
637 جناكليس شارع أبو قير ,شارع مرتضي , برج الخليج مدخل “ج” الدور الأرضي .
Republished in openDemocracy
To those who cast doubt on the success of the Egyptian revolution. Step back, look around you, and reflect for a moment.
As a result of the revolution, your social relations have been dramatically reconfigured. You have made new friends of strangers. You speak a new political language never known before. Your relationship to the state and public has been redefined. You have been involved in an unprecedented archival culture that narrates everything that has been happening. For every document, photograph and video will aid the next generation in resuming where you have finished off. For you cannot move forward without defining your relationship to the past.
Your understanding of history has been permanently altered. The 2011 revolution ruptured the political and social timeline giving you a new source of historical legitimacy. It gave you a critical juncture that emits a wave of vivid memories of sacrifices, victories, and betrayals of your hopes.
The 2011 revolution gave you a new validity to hold onto, and to rival any previous validity. No longer do you live in vain waiting for a future democratic “paradise”, you now realise that such a paradise needs to be shifted from the future to the present, from a goal to a process, to be instigated in small doses to the best of your human capacity.
The revolution in effect destroyed the previous dominant situation and cannot consolidate the new dominant situation, which can easily be clouded by the smokescreen of arrests and crackdowns.
That is what the revolution achieved. It did not arrive to give you a choice of regimes. It arrived to initiate a new beginning, one that is already on its course. You, among many, have been given a shared fundamental worldview that you unconsciously implement every day, and will determine the course of events in the present and, more theatrically, when the climate is ripe in your favour.
In a marvellous transformation, you can no longer recognise your pre-2011 self.
The late poet, writer and activist Shaimaa el-Sabbagh who was killed by security forces on 24 January 2015, as she was walking to lay flowers for those who have fallen in Tahrir, has, this month, been painted on the walls of her home and the surrounding vicinity in Moharem Bey, Alexandria. The moving words that accompany the images says it all:
“The one who fears the sun will have to imprison the day.”
“is there anyone guaranteed to walk in safety or not in safety – where can they walk?”
– Sheikh Imam
(This is a follow-up to my previous post on the drawings of Shaimaa)
In taking her life away, they inadvertently made her into a powerful living symbol. Rest in peace.
Source: Shaimaa el-Sabbagh Facebook page.
The full story of her tragedy can be read here.
It’s no easy feat to restore the seventh wonder of the ancient world, but then along came modern-day Egyptian exceptionalism with its mega projects to obscure political and economic ills. The Pharos of Alexandria is now slated for resurrection after its demise in a powerful earthquake more than 600 years ago.
Today, the lighthouse icon adorns everything from the Alexandria Governorate flag, to the crest of Alexandria University, to public service logos, to wall paintings on elementary schools. One might argue its symbolic force arises from its invisibility — Alexandria’s cultural strength lies in the imagination. Reconstructing it might skew that imaginary past. But that’s the least of its problems.
In fact, Alexandria is at risk of being subjected to a commercial and geographical disfigurement by a project with no public accountability — and the silence on the issue is deeply troubling.
The odyssey of an idea
The story starts in 1978, when Alexandria resident and diplomat Omar al-Hadidi suggested rebuilding the lighthouse to then-Governor Fouad Helmy. The idea was not only welcomed, but pushed in the international media, capitalizing on then-President Anwar al-Sadat’s sky-rocking international stature as a result of the Camp David talks. However, a parallel development was underway, with one set of Alexandria’s cultural elites pushing for the resurrection of the ancient library. After 1981, the newly instated President Hosni Mubarak took on the latter with enthusiasm, elevating it to a global project, while work on the lighthouse dragged on in its shadow.
The lighthouse concept was a form of decentralization and a subset of a culture war with Cairo’s elites. The idea started innocuously enough. But the project was transitioning into the neoliberal age, with academics and cultural workers receding into the background and the rise of new money coming in its place.
When Mohamed Mahgoub took over as governor in 1997, he rightfully gawked at the 32 companies competing over the project, some of whom were suggesting to make it into a glass and steel building that would house a shopping mall, with laser beams instead of the traditional lantern at the top. Fortunately, Mahgoub cancelled the entire project for the then-foreseeable future.
But the idea was taken up again in 2005 by the Alexandria and Mediterranean Research Center (AlexMed) as part of a series of projects toward a vision to develop the East Harbor. The vision was proposed in the Alexandria City Development Strategy (CDS) process (2004-2008) “to assist to Alexandria Governorate to complete its City Development Strategic Framework for sustainable development and prepare for its implementation technically and institutionally.”
The East Harbor Development spent the duration of the lead-up to the 2011 revolution seeking funding opportunities. Post-2011 events saw an Alexandria that was in flux, and the project was restored again, now described as “a new definition for the relationship with the waterfront in coastal cities … rebuilding the old lighthouse in the area facing the library of Alexandria, located in Chatby, as well as building a residency hotel for tourists.” Alexandria’s cultural activists were too busy trying to save historic villas from being destroyed by the real estate mafia to worry about a theoretical project that was proposed before they were born.
But a surprise came in May, when Supreme Council of Antiquities Secretary General Mostafa Amin told the privately owned newspaper Youm7 that “members of the Permanent Committee of Egyptian Antiquities have approved an old project, submitted previously by the Alexandria Governorate, aiming to revive the lighthouse. The comprehensive studies and a final plan have been submitted to Alexandria’s governor for final approval.” The unexpected certitude of his statement set off alarm bells.
The project was unusually absent from the Egypt Economic Development Conference (EEDC) that was launched with great fanfare in early March 2015, even though the website of the General Authority for Investment and Free Zones (GAFI) — an affiliate of the Ministry of Investment, and the principal government body regulating and facilitating investment in Egypt — briefly describes the “revival of the old Lighthouse of Alexandria (Pharos)” project as “establishing a science museum reflecting the heritage value of the old lighthouse and a hotel, conference center, restaurants, concert hall and a marine club.” To date, the lighthouse project is listed with no budget estimation.
Mohamed Nabeel, the executive manager of Save Alexandria, notes that “all information announced so far was just to propagandize the East Harbor Project under the name of reviving cosmopolitan Alexandria, and hence attract investments. However, no information has been made available for the public about what their government is doing, no public participation that promotes accountability. And, overall, no transparency.”
This raises the question of which company will take on the lighthouse project. The governorate is supposed to open a call for bids within a transparent framework that guarantees integrity and public participation. But Nabeel believes that a top-down approach will probably be taken, and allocation will be given to “one of the state’s institutions or business sectors, such as the Arab Contractors. If the property belongs to the military, then the Military Engineering Authority shall handle the project, or the allocation of subcontractors might be applied.” Western architectural firms, however, have been behind a series of outrageous proposals to mutilate the city.
Alexandria Lighthouse … Why?
Not only do the proposed designs show the lighthouse containing shopping malls and a hotel, but the lighthouse is also part of a larger project to revamp the entire area. The 2007 report exploits the city’s Achilles heel of nostalgia and recognition: “The renovation of the whole Eastern Harbor with special emphasis on conservation, bringing into perspective the unique feature of dialogue of cultures symbolized in Alexandria’s cosmopolitan architecture. Evoking the past is experienced in integrating past and present grids in the new development, the revival of the academia with a new research facility, reviving the ancient Soma axis round the development of Silselah (peninsula stretching out from the library location), recreating the Pharos while highlighting the importance of the underwater archaeology and developing the Fort Museum. The concept emphasizes creating pedestrian experiences and establishing a relationship with the water edge while promoting leisure activities such as bathing, yachting, fishing or visiting the royal yacht Al-Mahrousa.”
It sounds beautiful on paper, and how could one say no to such a development, let alone not be charmed by the visual rending model? That is, until you realize this is about the venerable Alexandria. We have been down this path before — no flowery text and diagrams ever actually factor into the world of Alexandria’s power structures, complex social relations, economic inequity, informal economy, the fate of fishermen, unearthed archeological treasures and so forth. Nabeel raises the concern that the implementation of Phase I & II (2004-2009) of the CDS process has shown that no proper monitoring or evaluation has been carried out, no positive implications and, most crucially, no public participation.
Figure Two shows a 2009 design by the Chicago-based architecture firm Skidmore, Owings & Merrill LLP that renders Alexandria in the year 2030. This is the same company that designed the Burj Khalifa, and it notes Egypt’s Culture Ministry as its client (they also report to be leading the planning of Egypt’s new capital city). There is not a single Alexandrian of any persuasion that I have shown these images to who hasn’t given me a look of horror in response.
Egyptian and foreign-based firms have an obsession with slick, futuristic, cutting-edge designs, forgetting that maintenance is not one of Alexandria’s assets. Alexandria could always veil its lack of maintenance and infrastructure behind its rustic, antiquated and historical image. But anything with a futuristic public planning streak would suffer from poor maintenance.
The politics are bigger than the lighthouse
Since the 1990s, Alexandria’s public spaces have been subjected to an ideology of revivalism. This involves resurrecting cosmopolitan-era fixtures like gas-light lamp posts, and placing statues like Alexander the Great and Cleopatra in public space. The crowning achievement of revivalism was the unveiling of the Bibliotheca Alexandrina in 2002. While revivalism brought some benefits, it has more to do with political branding, in which the state imposes a narrative from above upon the public. Furthermore, these nostalgic motifs frequently act as a guise for neoliberalism. Historically, Alexandria is treated like the political laboratory for Egypt’s reckless economic experiments.
Had the governorate been sincere about revivalism and preserving the heritage of the city, it would have saved countless monarchical-era villas from destruction. Preserving what we already have counts far more than any lighthouse bells-and-whistles project. But the reality is not about amplifying Alexandria’s rich cultural history as much as it is about what aspects of its history can be vulgarly commercialized at the expense of the public good. There is not even a proposed lighthouse design that will stay faithful to its ancestor of antiquity, which was built out of limestone, granite and white marble. Rather, it will be something resembling a watered-down version of Burj Khalifa.
One investor proposed “relocating” the iconic Citadel of Qaitbay to build the lighthouse in its place. The thoughtless idea was quickly quashed. But it shows what the city is up against.
“Capitalism talks here,” says Islam Asem, director of the Tourist Guide Syndicate. “If these investors could destroy the pyramids and build something profitable in its place, they would not hesitate for a moment.” It is largely faceless investors that are sitting on boards making decisions, Asem laments, not academics, cultural workers and UNESCO.
Asem states that the proposed lighthouse location would further weaken the grounds holding up the fragile citadel, and destroy the Greco-Roman ruins under the seabed. This is not to mention the aesthetic disruption of the Alexandria skyline by having a modern building next to the citadel. Asem says it’s better for the project to be constructed far away, in Montazah or Aboukir.
Nabeel also supports this view.
“A metropolitan city cannot be reduced to its city center,” he says, warning that under this kind of development plan, Alexandria “will see more urban segregation and, hence, urban rebellion.”
That urban rebellion was a familiar trait of the city through the sporadic, pre-revolution upheavals of the 2000s that were spurred on by the privatization drive. This can only worsen if the city’s soul is further compromised.
The inability to develop a strategic vision for the city is reflective of the city’s high politics. Any new governor is usually initially met by Alexandria’s civil society with hesitation by default, due to a lack of an electoral mandate. This was the case when President Abdel Fattah al-Sisi appointed Hany al-Messiry governor in February 2015, especially because left-wing activists were concerned with his free-market economics philosophy. However, a number of them allowed him breathing room for a few reasons. He was from Alexandria, which fulfils the basic providential nationalism criteria. He was a civilian, and not from the military. He was perceived as refined, due to being educated abroad and international exposure. Most importantly, he took a favorable approach to working with civil society.
But such strengths were exploited by different groups and power factions. The media started attacking Messiry for bringing his wife with him to meetings. Then hyper-nationalists took issue with him because he was not from the military. Security entities were calling up civil society workers to “discourage” them from meeting with the governor.
This all came to a head when an anti-governor protest was held in late May to protest Messiry’s dual nationality (he holds American and Egyptian citizenship). Demonstrators chanted, “Go out Messiry, Alexandria is free” while burning the American flag. One source told me the protestors were hired by private contractors after the governor refused to issue new building contracts. It’s notable that the Protest Law was not implemented for this demonstration, and no one was arrested, raising questions of security complicity.
Marianne Sedhom, who co-runs Iskanderya mabatshee Mareya — an environmental initiative that roughly translates as “Alexandria is no longer pretty” — highlights the obstacles to governor faces. For example, when Messiry issues a decree to halt work on, or to destroy, an illegally constructed building, corrupt elements within a district board will issue building permits to allow more illegal buildings to go up, she claims.
Such is the toxic climate out of which the lighthouse, or any development for that matter, will emerge. This is not to write off the lighthouse as a bad idea. The lighthouse has the potential to be a powerful uniting public icon bridging the cultural imaginary between the past and the present, solidifying civic identity, attracting tourists, and more. But this is only if it is done appropriately, with transparency and broader public discussion on the matter. No lighthouse is better than a badly planned lighthouse that violates aesthetics and social, heritage, communal and environmental factors.
The historical magnitude of rebuilding the lighthouse requires it to be the result of a clear vision and coherent civic narrative. It should not be built to resolve or eclipse existing divisions. If modern Alexandrian history is any indicator, it will become not the symbol of a communal spirit, but the symbol of excess and a visible target of rage.
There is a lesson to be learned from the unveiling of the ancient lighthouse in 247 BC. After 12 years of construction, the architect Sostratus was under no illusion that he had to dedicate the new monument to Ptolemy and his wife — but he would not allow history to forget his hard work and the people it was intended to serve. So he engraved his words in the stone, then he placed a plaster plaque etched with a dedication to the Ptolemies over it. With time, wind and sea salt ate away at the plaster. Long after the monarch and the architect passed away, the plaster decayed and fell apart, revealing his words: “Sostratus, son of Dexiphanes the Cnidian, dedicated this to the Savior Gods, on behalf of all those who sail the seas.”
With time, the narrative that emerges out of this project might not be the one that the state had intended.
The following are most of my published articles
(including some blog posts and videos) that deal with Alexandria-related issues or employs Alexandria as an illustration, from 2010 to 2015. However, there is way more of my Alexandria-related notes, images and videos that can be viewed at the Alexandria Scholars Facebook group. Thank you for everyone’s support over the years. What a journey it has been. One that started with the tragic death of Khaled Said and yet, the Alexandria story still continues…
Egypt’s Collision course with History (9 July 2010)
The Revolution in Alexandria (Visual Timeline) (February 2011)
The shock therapy moment in Salafi politics (13 May 2012)
Voting for security in Alexandria (2 June 2012)
Revolution never sleeps (13 June 2012)
Egypt’s stake in the Syrian Revolution (23 July 2012)
The Alexandria mafia’s new adversary: civil society (6 August 2012)
Turning the tide on Egypt’s sinking book reading culture (17 September 2012)
Power, Rebirth, and Scandal: A Decade of the Bibliotheca Alexandrina (16 October 2012)
Silent Commander-in-Chief: From Khaled Saeed to Malala Yousafzai (30 October 2012)
Egypt’s (Alexandria) Constitutional Referendum results (25 December 2012)
Sons of Beaches: How Alexandria’s Ideological Battles Shape Egypt (29 December 2012)
Alexandria Re-Imagined: The Revolution through Art (25 January 2013)
Marching to Sidi Gaber: Alexandria’s Epicenter of Upheaval (22 July 2013)
Wired Citizenship: Youth Learning and Activism in the Middle East (Co-edited chapter: Distorting Digital Citizenship: Khaled Said, Facebook, and Egypt’s Streets) (March 2014)
Run Mahienour Run (23 June 2014)
Shimaa ElSabbagh in art (7 February 2014)
Alexandria and Activism – Translating Memory, Mythology and Utopianism (lecture in Cairo) (22 April 2015)
Date: 8 March 2015.
Abstract: One of the long-standing fears of Alexandrian activism has been the eclipsing of its people’s local struggles by a Cairo-centric narrative – an issue that is further aggravated by limited bilingualism among the coastal city’s middle class revolutionaries, which makes connecting with international audiences more difficult. Apart from efforts to attract domestic attention to the city’s struggles, a peculiar form of Alexandrian activism evolved that employs the city’s namesake, history and popular culture to attract national and international attention to the issues affecting its urban terrain. This is evident in revolutionary graffiti that makes reference to Alexander the Great and Ancient Alexandria, and in the growth of civic groups that contrast their present problems with a by-gone era of utopian cosmopolitanism and indulge in various forms of nostalgia, symbolized by images such as the Pharos lighthouse or a mermaid.
This trend can be traced back to the 1990s struggle between the state and Alexandria over identity formation. The Egyptian state constructed a discourse of utopianism revolving around Alexandria’s ancient past and the city’s cosmopolitanism of the nineteenth and first half of the twentieth century. This was motivated by a wish to brandish the regime’s ‘progressive’ and ‘democratic’ credentials for the benefit of international audiences, fight the Islamist utopian mode of thinking that was beginning to make serious inroads, symbolize a significant break with the Nasserist past, and employ a cultural mask of universalism to disguise the neoliberal policies spearheaded by the Alexandria governorate. Rarely did any of this address the city’s deep-seated problems, and centralization – a common Alexandrian grievance – took its toll over the decades, resulting in a disembowelled public sphere.
Activists appropriated a variety of narratives and symbols to ‘translate’ and communicate their specific concerns to a wider audience, escape the shadow of the heavyweight capital, and establish a common ground with diaspora and foreign audiences who spotlighted, and sometimes co-worked on, texts and videos with Alexandrians to amplify their story to the world. This produced creative methods of revolutionary activity, drew modest research and journalistic interest to the coastal city, and started a slow process of democratizing the activist field. A highly utopian language enabled activists to draw inspiration from and chart their own understanding of ‘The Revolution Continues’ vernacular maxim by devising daily strategies and tactics that can function as alternatives to protesting on the street, which now carried a high risk of imprisonment.
مثَّل حجب المقاومة الشعبية لأهالي الإسكندرية عن طريق الروايات التي تتمحور حول القاهرة أحد المخاوف المتواصلة للنشاط السياسي السكندري ,وقد تفاقمت هذه القضية في ظل محدودية ثنائية اللغة بين ثوار الطبقة الوسطى في المدينة الساحلية؛ مما زاد من صعوبة التواصل مع الجماهير العالمية، وبصرف النظر عن الجهود المبذولة لجذب الانتباه الشعبي إلى مقاومة المدينة، نشأ شكل غريب من أشكال النشاط السكندري الذي يوظف اسم المدينة، وتاريخها وثقافتها الشعبية لجذب الانتباه الوطني والدولي إلى القضايا التي تؤثر على طبيعتها الحضرية، ويتجلى هذا في رسومات الجرافيتي التي تُشير إلى الإسكندر الأكبر والإسكندرية القديمة، و تزايد الجماعات المدنية التي تعقد مقارنة بين مشاكلها الراهنة و عصر الكونية الطوباوية المنصرم التي تنغمس في أشكال مختلفة من الحنين إلى الماضي وترمز إليه بصور مثل منارة الإسكندرية، أو حورية البحر.
ويمكن عزو هذا الاتجاه إلى الصراع الواقع بين الدولة والإسكندرية حول تشكيل الهوية في فترة التسعينات. إذ أسست الدولة المصرية خطاباً يميل إلى تبني فكرة الطوباوية يتمحور حول تاريخ الإسكندرية القديم، وعالمية المدينة في القرن التاسع عشر والنصف الأول من القرن العشرين. ولقد كان الحافز وراء ذلك تصوير النظام الحاكم بأنه “تقدمي” و”ديمقراطي” أمام الجمهور العالمي، ومحاربة أسلوب تفكير الاسلاميين الطوباوي الذي بدأ في تحقيق نجاحات جدية ترمز إلى القطيعة مع الماضي الناصري، وتوظيف قناع ثقافي من العالمية لإخفاء السياسات الليبرالية الجديدة التي تقودها محافظة الإسكندرية. ونادراً ما كانت تساهم هذه التوجهات في معالجة مشاكل المدينة المتجذرة (ومن ضمنها المركزية – وهي شكوى شائعة في الإسكندرية) التي تفاقمت على مدى العقود، مما أدى إلى تقويض المجال العام.
خصص بعض النشطاء مجموعة متنوعة من الروايات والرموز لترجمة ونقل اهتماماتهم المحددة إلى جمهور أوسع، والهروب من شبح العاصمة المرعب، وتأسيس أرضية مشتركة مع المغتربين والجماهير الأجنبية التي سلطت الضوء وأحياناً شاركت في ترجمة النصوص والفيديوهات مع السكندريين لتوضيح قصتهم أمام العالم، وقد ساهم هذا في خلق أساليب إبداعية من النشاط الثوري، وإجراء بعض البحوث المتواضعة حول المدينة، كما وجه الاهتمام الصحفي نحو المدينة الساحلية، وبدأت عملية تدريجية لنشر الديمقراطية في مجال النشاط السياسي. واستطاعت اللغة الطوباوية الراقية أن تكون مصدر إلهام للنشطاء، وساهمت في تشكيل فهمهم الخاص للشعار المتداول “الثورة مستمرة” من خلال وضع الاستراتيجيات والتكتيكات اليومية التي يمكن أن تعمل كبدائل للمقاومة في الشارع، والتي يترتب عليها الآن مخاطر عالية مثل السج
Originally published on Mona Baker on 18 March 2015